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Post by James on May 20, 2011 5:30:55 GMT -5
Shrug. I wasn't looking too deeply at it (generally not that type of person) And yeah, those two lines were born from listening to my mum's old Pulp album last week. And that is all I shall say.
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Post by James on Jun 3, 2011 5:51:50 GMT -5
yesterday i sat down with a glass of red wine and my trusty pen and paper creating a wonderful poem for all to read
but maybe i was a little drunk because it involved ninjas and an android that certainly did not dream of electric sheep
so instead of that poem you’re now reading this one which involved an explanation of around fourteen fifteen lines.
talking to you is like talking to a brick wall because you’re kinda small so if i dont look down oh hey theres a wall
nah im just joking because i dont to be assassinated or jonathan trott just got out
seven eight nine is why six is afraid of seven unless six speaks spanish then the joke doesnt really make a whole lot of sense
but six is obviously english and has a good normal english job like a lawyer or doctor plumber or builder or colonial invader
that last bit didnt make a whole lot of sense and jonathan trott has nothing to do with this poem he just really was out
i dreamt of you last night in the titanic decorated library it was sad the band kept on playing
but i realised we’re kind of like icebergs in that ninety percent of our wait, no im thinking of a sink
that the android created after dreamless nights and days fighting like you’re not gonna believe this some fucking ninjas
wait this is the drunken poem oh and kevin pietersen is gone -ski that was russian
best head off now even though sticks and stones cant break my bones because you know i haven’t got brittle bones
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Post by James on Jul 19, 2011 21:31:26 GMT -5
this poem is going to be really good its why i put it right here for you all to see just scroll down to read
Not available in your area
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Post by James on Jul 23, 2011 18:58:04 GMT -5
the vase comes from within its neatly packaged box treated with a certain reverence and care suitable for the money spent glistening and shining it is shielded from dangers locked away in a towering castle upon the top shelf
visitors fawn over the richly painted decorations the owners silently proud of its attention and presence they draw people’s eyes to it to hear their compliments smiling and nodding at every word
it is polished with clockwork regularity carefully cleaned with delicate hands fingerprints an unknown word to the vase its position unthreatened from the furniture in the room
until the next trinket arrives. it is more expensive and more technological it can glisten and shine just as well but the vase does not flash lights or play soft music
it is usurped from its spot on the self sentenced to the one empty corner upon the kitchen counter someone briefly brushes it but does not clean away the mark the vase begins to forget whether it is cleaned with a flash of yellow or blue
one day, for the first time, flowers are placed within its insides eager to please the vase seeks to complete its job far beyond a satisfactory level but no one ever notices its effort and soon it becomes nothing more than a grave
when only the stalks remains the flowers are removed but the man is wearing an expensive Rolex watch and chinks the vase a painful crack appears between the deep blue paint but the watch is more carefully inspected for damage
soon it becomes a container for anything: keys, marbles, stolen crisp packets no one seems to notice the scarring dents and nicks or the aching peeling paint that is not worth the money to repair a cheap bowl soon takes it place as the keeper of keys
the vase is carried away into the cupboard under the stairs locked away in its prison for being an embarrassment to the house the visitors that once fawned over it either politely ignore or make snide remarks about years gone by
a foggy darkness suffocates the vase in its new home ever present and completely impenetrable memories seem harder to come by in the dark what did the room look like from its former perch on the shelf?
then one day the door opens and light floods in for a second it wonders for what purpose it is wanted for and then the vase is shoved unceremoniously into a box filled with the leftover contents of lonely shoes and bleeding tennis balls
the box begins to wobble and bounce after so long and then the faithful jump arrives and not a single trumpet sounds the vase topples over and is unable to break its fall it shatters into a million piece, its silent scream is left unheard
when the sellotape is removed fifteen months and four days later perhaps the owners spare a few words of sadness over the box before they sweep up the remains of the vase and throw it into a plastic sack and pick up that odd brown hiking shoe that they had been searching for
not too far away in a not so distance shop the vase’s brother still sits perched on his shelf aged and still beautiful, carefully maintained and clean for decades it is worth fifty thousand pounds.
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Post by James on Jul 23, 2011 18:59:56 GMT -5
I'd particularly like it if anyone has any comments on the above poem.
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Post by Kaez on Jul 23, 2011 19:16:04 GMT -5
'forget'
Particularly good line.
But yeah, I liked this whole thing. Probably my favorite of your poems, actually. It flowed well, the words were chosen well, I liked the sequence of events, the pacing, the conclusion, the unique perspective...
... I really feel like my response here is woefully brief but know that it's just because I don't really have any complaints whatsoever. This thing's solid and I enjoyed it a hell of a lot. Yeah. Good poem. Yeah.
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Post by James on Jul 23, 2011 20:18:10 GMT -5
Merci beaucoup, Pete.
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Post by James on Aug 16, 2011 20:53:44 GMT -5
The train has long since left empty stables and heavy doors clichés shattered upon the floor a thousand pictures and one solitary word
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Post by James on Aug 23, 2011 5:45:42 GMT -5
Oh, So That’s What It Looks Like?
Smooth yet not quite entertaining, the joke struggles to stand the test backed up by his own hearty laugh and pure swagger alone, all but one drawn in with a grin.
Lop-sided with a disappointed chill, she stares back across at him silently showing her scorn and we all feel as if we’re in the crosshairs, each finding a suitable bunker behind coffee mugs.
With greater reliability than a German car, his retort snaps back in a bored tone “you need a diagram with the explanation?” and everyone knows from vast experience, the blow is merely a glancing strike.
In that marvellous tone that only women can use, sarcasm, boredom and a frustration cocktail she breaks down her Berlin Wall of dignity “and that’ll make it less mind-numbingly boring, not that you can get any better.”
She knows that she’s not at her best, we can all see it in the way she is chewing her lip black rings a valued present from long assignments and hurried last minutes editions, mediocrity in mockery the price to pay for perfection.
Several of us share a meaningful glance, recreated from the beaches of Dunkirk loosely translated to “let’s get the fuck out of here” and in a moment we are gone, history suggests they won’t notice for another six minutes.
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Post by James on Sept 10, 2011 2:43:51 GMT -5
Ne pas cours à la fin du jardin ou vous allez manquer les feuilles et les arbres. brun, vert et velours, ils attendent avec sagesse. Marche au bord de la falaise, aime le voyage et pas la chute.
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Mena
Scribe
Posts: 667
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Post by Mena on Sept 10, 2011 11:54:19 GMT -5
Le poème intéressant, James.
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Post by juggernaut on Dec 13, 2011 22:36:39 GMT -5
this poem is going to be really good its why i put it right here for you all to see just scroll down to read ... Not available in your area
i laughed out loud reminds me of tao lin if he lost his autism for a brief moment but then took sixteen jaggerbombs straight after another, which isn't to say it's bad just unique i liked the brick wall stanza, seemed like a smarmy jab at pretentious behavior and it flowed nicely
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Post by James on Dec 22, 2011 2:30:50 GMT -5
Ballad of the Waning City of Men
In the shadows of mountains tall The jewelled city of men doth falls Once sought by the mighty and the grand Now is home to the meek and the small Buildings crumble into dusty graves Water turns into a stony slave Bare bridges wonder of their purpose Cobbled streets will not ever lave
Distant whispers of rulers gone by drift lost with others forever to vie Death as in life they unceasingly fight blind that their time did swiftly grow nigh When armies of plague and darkness came all did bicker and argue in shame Anguish fell upon the once kingly place and books and art coveted the flame
Long since replaced by monsters known Their King possesses eyes of cold stone Woe to those that fall into his stare Mind and body shall drop swiftly prone Dragons lurk the eerie tower peaks And black hounds live for food they do seek Trolls and giants linger in anger casting great shadows long and bleak
But all cower from thy King; the Basilisk strong His rule is mighty; his rule is long
I don't think you'll need three guesses of what served as inspiration for this. Basically a Fay Song about the Great City of Men that once stood within the Fay Realm of the Phantom Universe.
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Post by James on Dec 29, 2011 23:44:44 GMT -5
There’s a Holy Bible on my bookshelf
It is dusty and clad in leather armour
The pages seem almost golden in the light
And it possesses that wonderful old book smell
I do not keep it for comfort or spirituality
Thou shalt have no other gods before me
And so I have no gods at all to direct my prayers to
But yet I keep this old and fading book
For reasons that I sometimes struggle to explain
Because stained with ink upon the very first page
Are words that are delicately crafted that read:
To Edward. From Mary. May 14th 1947.
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Post by James on Feb 9, 2013 17:31:07 GMT -5
The people's fear for paper books, though welcome and good, is built on less solid foundations than the spine of a book.
The reason why, I can be so sure, is due to a simple, yet important observation.
I have yet to google, "why won't my book recharge?"
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