Post by Jackal on Mar 17, 2013 0:44:47 GMT -5
" You sure this is the place, detective? "
" Yes. "
No, not really. It was impossible to completely predict this man's plans. The Conductor, he had called himself: an unknown figure that had started committing kidnappings, taunting the police force with music-related clues. 5 people had already died to his murderous hands before Charlotte finally got a break. Inside that last box, his invitation had been ' See if you can find me in a drumbeat, or else you'll find what I've snared will be dropping in the crescendo. '
The tallest elevation in the city was a nearby hill - a crescendo, a high point in the music, the high point in the town. The general seclusion of the place earned it the title of ' Lovers' Net' - the snare. And on top of that hill was an old drum factory - a drumbeat. It was an easy riddle.
But too easy. She knew that if she followed the instructions directly, she might well be walking into a trap.
Instead, she searched the drum and investigated its model. The drum hadn't been produced at the old factory. It was, in fact, a new set, produced by a far more recent company, and she traced the only purchase of that drum here, in a completely different area.
A Mars bar factory which was still operational, still producing the delicious caramel bars. She'd found it highly unusual for a lair - after all, it was still operational, and thus, open to public eyes - but perhaps that was the name of his game. He wanted to confuse the private eyes, the police force, so he'd chosen to go with the old adage , ' The most dangerous places are the safest.'
Even now, as she turned the corner, she could smell the caramel in the machinery. She loved those things. Heck, if the owner were here and wasn't a completely psychopath obsessed with music, she'd be buying some of his stock straight from him. Forget M&Ms, those things really melted straight into your mouth with each bite. A Mars bar and a coffee was her ideal breakfast before work. Still, she had to be careful. He could have had his goons hiding around there somewhere.
" 'ey, detective.. there's no sign of him. You sure this is the place? It don't look like no kidnapping lair. "
" And you're the expert on that, Lt. John? "
" Hey hey, no need ta get patronizing on me! "
But you were patronizing me not too long ago. She bit her lip to stop herself from saying that. There was no need to antagonize the police lieutenant that had been assigned to help her. He was, after all, in charge of the contingent now sweeping the factory for clues. And she would need all the help she could get. Time was ticking. She had to save this one man - a police officer this time. Where could he be keeping his hostage?
It was then that her eyes snapped to the top of the caramel mixer. " Over there! " She pointed at the top of the ceiling, directing the police attention to a rope that was hanging - into - the barrel. It was attached to a hoist - something had been put in there. And from the looks of the contraption, it was strong enough to raise and lower a single man. Officers rushed to help as Charlotte leapt across the railings to the device, quickly trying to pull it up. The weight of whatever it carried was heavy, and it took 2 officers along with Charlotte to finally raise the wince. As it was raised, gasps began to come from the rest of the contingent.
Under the ropes hung a man, encased in hardened caramel that was slowly fragmenting. From the size, Charlotte could tell he was most likely the officer they were looking for. Quickly eager hands rose to take the hostage onto the railing, looking to see if he was in any way still alive. No breathing..no pulse. No luck. She could hear Lieutanent John's voice from behind her, clearly as shocked as the rest of the force. " God almighty, this..this is sick. "
Not again. Charlotte looked at the corpse with increasing frustration. How was he always winning? Why was she always losing? It was just then that she noticed something bulging from the man's shirt pocket. Slowly, respectfully, she reached for the object, brushing off the crusted caramel. A cassette player? She pressed the play button, hoping that she could find more clues to beat this maniac.
" Welcome, detective. Congratulations on finding your corpse! Were you just as delighted by this game as I am? I do hope you are, as is Lieutenant John. "
On hearing his name, the police lieutenant blinked in shock. " What - how did he know I'd be here?? "
" You might be wondering why I just named your ally. In fact, I know most of the officers standing with you here now. You see, detective, I had this all planned from the start. I orchestrated all of this just for you. "
Click
Click
Click
Charlotte swivelled her head around at the sound of the clicking. Multiple devices were being triggered at once. A bomb? A lock? A booby trap? " Lieutanent, we have to go. We have to go now. " With the casette player in hand, she stood up to leave, but John seized her hand, staring at her with panic and outrage.
" We can't leave! Not without the body! "
" Then I suggest you have your men take the body. We have to leave now, before this gets any worse! "
John nodded, turning to his subordinate. " You! Carry - "
BLAM
The lieutenant reeled back as the only officer in the room opened fire at him, then clicked the revolver once more, pointing it at both of them. John grit his teeth as the pain burned through his side, clutching it firmly to stop the bleeding. " What - what in God's name are you doing, boy?? "
" I ain't workin' for you, Lieutenant. " The 'officer' grinned as he brandished the weapon. " Conductor told me you ain't gettin' out of this alive, and I'm here ta make sure of that. "
" Everything, detective. The murders? They weren't crimes of passion. They were crimes of necessity. You see, I wanted you to investigate them. I wanted you to follow them. And I wanted you here, along with the local meddling lieutenant. I knew you'd trace the steps beyond the layman's riddle. I knew you'd bring help. I know you. "
Charlotte stared at the corrupt officer as she listened to the tape, grimacing while she sat by the Lieutenant. The Conductor's words bit right into her. It had been my plan all along. You fell right into my trap.
" But listen to me ramble. Ah, yes. I'm afraid we must part, detective, but here's something I'm sure you'll appreciate. I'll leave you with Tchaikovsky's beautiful music.. but I wouldn't recommend staying for the crescendo at the end. "
His voice cut off, and the music started to play. Slow at first, like most orchestral pieces, but she soon identified the piece. Tchaikovsky's 1812 overture.. and she began to realize what he was talking about.
" Look, you. We've all got to go. He's going to kill us all! "
" Nah, I am. And after all that yelling yer did at me, Lieutenant, sir - I'm going to enjoy this. "
" You don't understand! He's going to blow this factory up! "
" What? "
That moment of doubt was all she needed from the officer. Distracted, his gaze mostly on the lieutenant anyway, he didn't see her put her hand into her coat and fire from within it. He screamed, stumbling as he clutched at the shoulder where she'd shot him, dropping the gun. She took advantage of his confusion to help the lieutenant to his feet, moving as quickly as she could down the railings. She arrived at one of the doors, and pushed at it once. Then again. And again -
And there it was, the fast music. Time was running out.
She grunted, pushing at the door once more before firing at the lock with her pistol. Once that was shattered, she could easily push her way through to the next passage. Another locked door. Another bullet.
The slow music was back on, but she'd counted the phases. The minutes. It was getting closer. Too close.
Every door was locked. So that was what the clicking was about - he wasn't setting up the bombs, he'd been having his minions lock every single door. She was running out of bullets, and the lieutenant was running out of blood. " Hang in there, Lieutenant! We'll get out of here! "
" S-save your breath.. "
She grunted with each step as her thighs burned. As much as she hated to admit it, she wasn't always in good shape, and the lieutenant really wasn't all that light. Add to that her breath was coming short from all the running and rising panic, and the only reason that she was even able to move was because her adrenaline burned through her veins like kerosene.
Finally, she managed to reach the exit. Closed. Locked. She raised her revolver and aimed at the lock to find an empty click. And she could hear the music playing, the final piece, quickly becoming faster and faster. No time at all - she released the lieutenant, and in frustration started to ram her shoulder against the door. Once, twice, each time met with a creak but nothing more.
" BACK OFF! "
Charlotte stepped aside for a moment as she turned to look at the voice, catching her breath. The lieutenant charged past her, slamming his own shoulder into the door. His size and strength managed to budge the door just slightly, and he repeatedly slammed his shoulder into it with heavy grunts.
" This-is-how-you-break-down-DOORS! "
He was moving the door, but it was still too slow. The music was coming. She scanned the doorway and found a fire extinguisher. Smashing the glass, she grabbed the extinguisher, then stopped the lieutenant for a moment as she smashed it against the damaged lock.
Almost, almost - the lock finally broke, and they barged through the door, sending splinters flying. It was just then that she heard the crescendo, and the part that came after it -
" RUN FOR - "
The artillery.
Immediately, the music was paced with the sound of artillery, and the factory resonated with explosions that shattered the structure of the building. Charlotte and the lieutenant got maybe a few meters from the building before one final explosion triggered, the sheer force throwing both of them through the air like ragdolls. Charlotte could feel her bones breaking from the blast and the impact of the ground as she landed in a crumpled heap, but she couldn't hear it. She couldn't hear anything. Her eyes started to close as she looked at the factory, now in a burning, smoking ruin, still exploding. She started to laugh as she lost consciousness. Wasn't it ironic? The Conductor had wanted her to hear the music, but now.. now she couldn't hear it. Maybe she'd never hear music again.
This was a bloody stupid concerto.
" Yes. "
No, not really. It was impossible to completely predict this man's plans. The Conductor, he had called himself: an unknown figure that had started committing kidnappings, taunting the police force with music-related clues. 5 people had already died to his murderous hands before Charlotte finally got a break. Inside that last box, his invitation had been ' See if you can find me in a drumbeat, or else you'll find what I've snared will be dropping in the crescendo. '
The tallest elevation in the city was a nearby hill - a crescendo, a high point in the music, the high point in the town. The general seclusion of the place earned it the title of ' Lovers' Net' - the snare. And on top of that hill was an old drum factory - a drumbeat. It was an easy riddle.
But too easy. She knew that if she followed the instructions directly, she might well be walking into a trap.
Instead, she searched the drum and investigated its model. The drum hadn't been produced at the old factory. It was, in fact, a new set, produced by a far more recent company, and she traced the only purchase of that drum here, in a completely different area.
A Mars bar factory which was still operational, still producing the delicious caramel bars. She'd found it highly unusual for a lair - after all, it was still operational, and thus, open to public eyes - but perhaps that was the name of his game. He wanted to confuse the private eyes, the police force, so he'd chosen to go with the old adage , ' The most dangerous places are the safest.'
Even now, as she turned the corner, she could smell the caramel in the machinery. She loved those things. Heck, if the owner were here and wasn't a completely psychopath obsessed with music, she'd be buying some of his stock straight from him. Forget M&Ms, those things really melted straight into your mouth with each bite. A Mars bar and a coffee was her ideal breakfast before work. Still, she had to be careful. He could have had his goons hiding around there somewhere.
" 'ey, detective.. there's no sign of him. You sure this is the place? It don't look like no kidnapping lair. "
" And you're the expert on that, Lt. John? "
" Hey hey, no need ta get patronizing on me! "
But you were patronizing me not too long ago. She bit her lip to stop herself from saying that. There was no need to antagonize the police lieutenant that had been assigned to help her. He was, after all, in charge of the contingent now sweeping the factory for clues. And she would need all the help she could get. Time was ticking. She had to save this one man - a police officer this time. Where could he be keeping his hostage?
It was then that her eyes snapped to the top of the caramel mixer. " Over there! " She pointed at the top of the ceiling, directing the police attention to a rope that was hanging - into - the barrel. It was attached to a hoist - something had been put in there. And from the looks of the contraption, it was strong enough to raise and lower a single man. Officers rushed to help as Charlotte leapt across the railings to the device, quickly trying to pull it up. The weight of whatever it carried was heavy, and it took 2 officers along with Charlotte to finally raise the wince. As it was raised, gasps began to come from the rest of the contingent.
Under the ropes hung a man, encased in hardened caramel that was slowly fragmenting. From the size, Charlotte could tell he was most likely the officer they were looking for. Quickly eager hands rose to take the hostage onto the railing, looking to see if he was in any way still alive. No breathing..no pulse. No luck. She could hear Lieutanent John's voice from behind her, clearly as shocked as the rest of the force. " God almighty, this..this is sick. "
Not again. Charlotte looked at the corpse with increasing frustration. How was he always winning? Why was she always losing? It was just then that she noticed something bulging from the man's shirt pocket. Slowly, respectfully, she reached for the object, brushing off the crusted caramel. A cassette player? She pressed the play button, hoping that she could find more clues to beat this maniac.
" Welcome, detective. Congratulations on finding your corpse! Were you just as delighted by this game as I am? I do hope you are, as is Lieutenant John. "
On hearing his name, the police lieutenant blinked in shock. " What - how did he know I'd be here?? "
" You might be wondering why I just named your ally. In fact, I know most of the officers standing with you here now. You see, detective, I had this all planned from the start. I orchestrated all of this just for you. "
Click
Click
Click
Charlotte swivelled her head around at the sound of the clicking. Multiple devices were being triggered at once. A bomb? A lock? A booby trap? " Lieutanent, we have to go. We have to go now. " With the casette player in hand, she stood up to leave, but John seized her hand, staring at her with panic and outrage.
" We can't leave! Not without the body! "
" Then I suggest you have your men take the body. We have to leave now, before this gets any worse! "
John nodded, turning to his subordinate. " You! Carry - "
BLAM
The lieutenant reeled back as the only officer in the room opened fire at him, then clicked the revolver once more, pointing it at both of them. John grit his teeth as the pain burned through his side, clutching it firmly to stop the bleeding. " What - what in God's name are you doing, boy?? "
" I ain't workin' for you, Lieutenant. " The 'officer' grinned as he brandished the weapon. " Conductor told me you ain't gettin' out of this alive, and I'm here ta make sure of that. "
" Everything, detective. The murders? They weren't crimes of passion. They were crimes of necessity. You see, I wanted you to investigate them. I wanted you to follow them. And I wanted you here, along with the local meddling lieutenant. I knew you'd trace the steps beyond the layman's riddle. I knew you'd bring help. I know you. "
Charlotte stared at the corrupt officer as she listened to the tape, grimacing while she sat by the Lieutenant. The Conductor's words bit right into her. It had been my plan all along. You fell right into my trap.
" But listen to me ramble. Ah, yes. I'm afraid we must part, detective, but here's something I'm sure you'll appreciate. I'll leave you with Tchaikovsky's beautiful music.. but I wouldn't recommend staying for the crescendo at the end. "
His voice cut off, and the music started to play. Slow at first, like most orchestral pieces, but she soon identified the piece. Tchaikovsky's 1812 overture.. and she began to realize what he was talking about.
" Look, you. We've all got to go. He's going to kill us all! "
" Nah, I am. And after all that yelling yer did at me, Lieutenant, sir - I'm going to enjoy this. "
" You don't understand! He's going to blow this factory up! "
" What? "
That moment of doubt was all she needed from the officer. Distracted, his gaze mostly on the lieutenant anyway, he didn't see her put her hand into her coat and fire from within it. He screamed, stumbling as he clutched at the shoulder where she'd shot him, dropping the gun. She took advantage of his confusion to help the lieutenant to his feet, moving as quickly as she could down the railings. She arrived at one of the doors, and pushed at it once. Then again. And again -
And there it was, the fast music. Time was running out.
She grunted, pushing at the door once more before firing at the lock with her pistol. Once that was shattered, she could easily push her way through to the next passage. Another locked door. Another bullet.
The slow music was back on, but she'd counted the phases. The minutes. It was getting closer. Too close.
Every door was locked. So that was what the clicking was about - he wasn't setting up the bombs, he'd been having his minions lock every single door. She was running out of bullets, and the lieutenant was running out of blood. " Hang in there, Lieutenant! We'll get out of here! "
" S-save your breath.. "
She grunted with each step as her thighs burned. As much as she hated to admit it, she wasn't always in good shape, and the lieutenant really wasn't all that light. Add to that her breath was coming short from all the running and rising panic, and the only reason that she was even able to move was because her adrenaline burned through her veins like kerosene.
Finally, she managed to reach the exit. Closed. Locked. She raised her revolver and aimed at the lock to find an empty click. And she could hear the music playing, the final piece, quickly becoming faster and faster. No time at all - she released the lieutenant, and in frustration started to ram her shoulder against the door. Once, twice, each time met with a creak but nothing more.
" BACK OFF! "
Charlotte stepped aside for a moment as she turned to look at the voice, catching her breath. The lieutenant charged past her, slamming his own shoulder into the door. His size and strength managed to budge the door just slightly, and he repeatedly slammed his shoulder into it with heavy grunts.
" This-is-how-you-break-down-DOORS! "
He was moving the door, but it was still too slow. The music was coming. She scanned the doorway and found a fire extinguisher. Smashing the glass, she grabbed the extinguisher, then stopped the lieutenant for a moment as she smashed it against the damaged lock.
Almost, almost - the lock finally broke, and they barged through the door, sending splinters flying. It was just then that she heard the crescendo, and the part that came after it -
" RUN FOR - "
The artillery.
Immediately, the music was paced with the sound of artillery, and the factory resonated with explosions that shattered the structure of the building. Charlotte and the lieutenant got maybe a few meters from the building before one final explosion triggered, the sheer force throwing both of them through the air like ragdolls. Charlotte could feel her bones breaking from the blast and the impact of the ground as she landed in a crumpled heap, but she couldn't hear it. She couldn't hear anything. Her eyes started to close as she looked at the factory, now in a burning, smoking ruin, still exploding. She started to laugh as she lost consciousness. Wasn't it ironic? The Conductor had wanted her to hear the music, but now.. now she couldn't hear it. Maybe she'd never hear music again.
This was a bloody stupid concerto.